1 map : copperplate engraving on 12 sheets, hand colour. Oriented with north at the right. Title above the map. Royal arms of France in the top left corner, surrounded by the Order of St Michael. Illustration of the arms of the Seventeen Provinces at the top of the map, on a panel titled 'De wapenen der Zeventien Nederlanden.' Decorative cartouche in the top right corner, framing an oval tablet inscribed with a dedication to the Dutch provinces. Enthroned above is the allegorical figure of Regina Belgica, who holds a merchant ship and sceptre, and is flanked in Salomonic fashion by two lions, who bear the arms of the Spanish Netherlands (left) and United Provinces (right, represented by the seven arrows of Utrecht). Below, either side of the inscription, are four deities: Mars and Minerva at the left, and Mercury and Neptune at the right - appropriately the side to which Regina Belgica holds the merchant ship. At the base of the ensemble is an smaller oval tablet, left empty, beneath which is a swag composed of arms at the left, and instruments at the right - cartographic, astronomical and musical. Secondary cartouche at the left edge, containing a key and an index of the number of towns and villages in each province. At the sides, personifications of Geometry and Painting have been converted into terms. Imprint and scale bars in the bottom right corner, in a third cartouche surmounted by a sundial and armilliary sphere, and two putti brandishing scribes, calipers and rulers. Row of ten numbered equestrian portraits along the top edge, depicting the rulers of both Netherlands from Philip II onwards: Philip II (1527-98); Margaret of Parma (1522-86); Fernando Álvarez de Toledo, 3rd Duke of Alba (1507-82); Luis de Requesens y Zúñiga (1528-76); John of Austria (1547-78); Matthias, Archduke of Austria, and later Holy Roman Emperor (1557-1619); Alessandro Farnese, Duke of Parma (1545-92); Francis, Duke of Anjou (1555-84); William the Silent, Prince of Orange (1533-84); Robert Dudley, Earl of Leicester (1532/3-88). The other three portraits from this set are missing. Map flanked at the sides by two columns of ten city prospects, which were also engraved by Gerritsz after Claes Jansz Visscher. The left column is composed of views of Antwerp, Ghent, Nijmegen, Limburg, Namur, Mons, Zutphen, Mechelen, Groningen and the Palace of Coudenberg, while its pendant illustrates Brussels, Amsterdam, Luxembourg, Middelburg, Utrecht, Arras, Leeuwarden, Deventer, Dordrecht, and the Binnenhof. In other copies the placement of the top five views from both sides is reversed. The same is true of Klencke's copy of Blaeu's German atlas, for which see 004848100. . G. Schilder, Monumenta Cartographia Neerlandica, vol. 1, Alphen, 1986, pp. 122-4, including this copy.
note
1 map : copperplate engraving on 12 sheets, hand colour. Oriented with north at the right. Title above the map. Royal arms of France in the top left corner, surrounded by the Order of St Michael. Illustration of the arms of the Seventeen Provinces at the top of the map, on a panel titled 'De wapenen der Zeventien Nederlanden.' Decorative cartouche in the top right corner, framing an oval tablet inscribed with a dedication to the Dutch provinces. Enthroned above is the allegorical figure of Regina Belgica, who holds a merchant ship and sceptre, and is flanked in Salomonic fashion by two lions, who bear the arms of the Spanish Netherlands (left) and United Provinces (right, represented by the seven arrows of Utrecht). Below, either side of the inscription, are four deities: Mars and Minerva at the left, and Mercury and Neptune at the right - appropriately the side to which Regina Belgica holds the merchant ship. At the base of the ensemble is an smaller oval tablet, left empty, beneath which is a swag composed of arms at the left, and instruments at the right - cartographic, astronomical and musical. Secondary cartouche at the left edge, containing a key and an index of the number of towns and villages in each province. At the sides, personifications of Geometry and Painting have been converted into terms. Imprint and scale bars in the bottom right corner, in a third cartouche surmounted by a sundial and armilliary sphere, and two putti brandishing scribes, calipers and rulers. Row of ten numbered equestrian portraits along the top edge, depicting the rulers of both Netherlands from Philip II onwards: Philip II (1527-98); Margaret of Parma (1522-86); Fernando Álvarez de Toledo, 3rd Duke of Alba (1507-82); Luis de Requesens y Zúñiga (1528-76); John of Austria (1547-78); Matthias, Archduke of Austria, and later Holy Roman Emperor (1557-1619); Alessandro Farnese, Duke of Parma (1545-92); Francis, Duke of Anjou (1555-84); William the Silent, Prince of Orange (1533-84); Robert Dudley, Earl of Leicester (1532/3-88). The other three portraits from this set are missing. Map flanked at the sides by two columns of ten city prospects, which were also engraved by Gerritsz after Claes Jansz Visscher. The left column is composed of views of Antwerp, Ghent, Nijmegen, Limburg, Namur, Mons, Zutphen, Mechelen, Groningen and the Palace of Coudenberg, while its pendant illustrates Brussels, Amsterdam, Luxembourg, Middelburg, Utrecht, Arras, Leeuwarden, Deventer, Dordrecht, and the Binnenhof. In other copies the placement of the top five views from both sides is reversed. The same is true of Klencke's copy of Blaeu's German atlas, for which see 004848100. . G. Schilder, Monumenta Cartographia Neerlandica, vol. 1, Alphen, 1986, pp. 122-4, including this copy.
Note
false